Archive for the ‘Tribe Masks’ Category


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Handmade 'Old Wise Man' Tribal Mask Wall Hanging (Thailand) Handmade 'Old Wise Man' Tribal Mask Wall Hanging (Thailand)

Waken your senses with this striking 'Old Wise Man' tribal mask wall hanging, made by the Lisu Tribe of northern Thailand. Intricately detailed and hand-painted with vibrant colors, this eye-catching tribal mask includes a convenient hook on the back making it easy to hang it on the wall of your choice...

Viking Battle Helmet Viking Battle Helmet

Legions of would-be opponents trembled at the very sight of this menacing helmet! The famed symbol of the mighty Viking warriors is handsomely wrought in miniature, exquisitely detailed from the flaring tips of the golden wings to the daunting stare of the eye sockets...

Handmade 'Elephant' Tribal Mask Wall Hanging (Thailand) Handmade 'Elephant' Tribal Mask Wall Hanging (Thailand)

Add a unique touch to your home decor with the 'Elephant' tribal mask wall hanging, made by the Lisu Tribe of northern Thailand. Intricately detailed and hand-painted with vibrant colors, this eye-catching tribal mask includes a convenient hook on the back making it easy to hang it on the wall of your choice...

Burning Mask Burning Mask

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Just to set thingz straight this is neil sparkes from trans-global underground then moved on with fello dubber & transglobal menber count dubulah to form temple of sound with their albums first edition, black orchid, shout at the devil with jah wobble, people's colony no.1, and live at womad cd and cd-rom gold of the sun 2 disc. This album is not verry far off temple of sound, and some trans but newer scence count dubulah is featured on 3 of the songz and & enginerz & mixes 2 of them. He playez bass,hot steppa, large maraca, add prog, piano, drumz, programming. 3 of the songz also feature zion train the dub group. I did care more for the begining of the album up through 4 were slammin dub style with neil in this cuban-esq percussion and electric drumz. Them the album dosent get worze but just not as hard core dub percussion style itz a bit toned down where his poetry is more focussed he does so only on 3 songz and they are cut up, but the last song iz slammin. His singing poetry style is really cool though his british axcent is verry strong. Their are lotz of cuban style with samplez, percussion and piano, their is a bit of faster techno electro style but itz still in a dub fassion with plenty of congaz. all in all though i havent heard black orchid but i thought that this album was better than first edition, itz not comparable to peoples colony due to the rizwan wawwali group and the album iz extremelly sufi eastern with harmonium, tablas singing itz fantastic, and shout at the devil is 1 of the best recordz ever so this is up their if you a fan of temple or trans. i bought my coppy 5 dayz ago from the amazon.co.uk and itz cheap only 12 including shipping. so if your looking for slammin dub/ excellent percussion/ the kronic look no further from uk dub at itz best

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Adult Yaka Tribe Voodoo Costume Mask Adult Yaka Tribe Voodoo Costume Mask

Yaka Tribe Halloween Mask Yaka Tribe Halloween Mask

Hand Painted Over-the-head Latex Mask.

Yaka Tribe Yaka Tribe

Hand Painted Over-the-head Latex Mask.

Yaka Tribe Polynesian Tiki Deluxe Costume Mask Yaka Tribe Polynesian Tiki Deluxe Costume Mask

Item # 67029. One mask. One size.

The Living Tradition of Yup'Ik Masks: Agayuliyararput : Our Way of Making Prayer The Living Tradition of Yup'Ik Masks: Agayuliyararput : Our Way of Making Prayer

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La magnifica veste grafica e l'ecezionale completezza del testo rendono questo libro uno staordinario documento oltrechè un dovuto omaggio alla cultura Inuit.A quando una ristampa?

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Published in conjunction with an exhibit organized by the Anchorage Museum of History and Art and the Coastal-Yukon Mayors' Association. For the Yup'ik of southwestern Alaska, masked dancing has long been a focal point of ceremonial activity...

Behind The Mask: The Cultural Definition of the Legal Subject in Colonial Bengal (1715-1911) Behind The Mask: The Cultural Definition of the Legal Subject in Colonial Bengal (1715-1911)

The book explores the complex interlinkages between the formulation of middle class identity, colonial legal discourse and calss antagonism between late eighteenth and early twentieth century in Bengal.

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